Americana duo The Grahams announce tour details
Rising Nashville-based Americana duo The Grahams announce November 2015 UK & Ireland Tour in support of their acclaimed new album Glory Bound, stopping in Belfast’s Errigle Inn on Friday 20th November.
Alyssa and Doug Graham have spent nearly their entire lives exploring music together. Friends since she was 7 and he was 9, they became a couple in their teens, then husband and wife. Somewhere along the way, they also became The Grahams, a dynamic Americana duo who’ve married their love of adventure with a desire to build on foundations laid by their musical predecessors. Their first song-crafting expedition, along the Mississippi’s Great River Road, became their 2013 debut, Riverman’s Daughter.
For its follow-up, they rode the rails – and wound up recording not only a new studio album, the explosive and aptly named Glory Bound, but also Rattle The Hocks, a documentary filmed on the move and in venues from Sun Studio to Amtrak’s famed City of New Orleans train, produced and directed by Cody Dickinson of the North Mississippi Allstars, which chronicles their train-bound excursions and the influence of train travel on American roots music.
Helmed by Grammy nominated producer Wes Sharon (John Fullbright, Parker Millsap) at his 115 Recording studio in Norman, Oklahoma, The Grahams’ songs for Glory Bound, co-written with collaborator-since-childhood Bryan McCann, capture the rhythms and energies of that transport system and the momentum of its time, with Doug’s masterful resonator slide-work and harmonies fuelling Alyssa’s locomotive voice and acoustic guitar chords, while producer Sharon was able to bring in guests of the calibre of John Fullbright, Byron Berline (Bill Monroe, Flying Burrito Brothers, Dillard & Clark, Stephen Stills), one of the world’s premier fiddle players, and Ryan Engelman and Gabe Pearson of the Turnpike Troubadours.
“Our methodology is to follow the paths and revisit the places that inspired our predecessors, not because we want to imitate them or faithfully reproduce their work, but because we are looking for the modern echo of older sounds, and hope to give shape to these enduring reverberations. Nothing can serve that methodology better than riding the rails.”